Posts Tagged ‘Australia’

Friday Five: 5 Brisbane-based bands that shaped the city

May 17, 2013

5 Brisbane-based bands that shaped the city

Before Avalon Drive and Last Dinosaurs roamed the city, there are these bands who helped paved the road and put Australia, even the quieter town of Brisbane, on the global map. In anticipation of my review on Pig City by Andrew Stafford, here are five of the many more bands, hailed from Brisbane, their pride and joy.

#1: The Saints

“They were terrifying! Because their hair was so long, and they were so haughty, basically… and Chris was this cavalier vagabond who even in grade 11 had cultivated this image of a wine bottle in one hand and a cigarette in the other.” – Clinton Walker, author of Stranded: The Secret History of Australian Independent Music 1977-1991 ; P. 55

#2: The Go-Betweens

“They were wholesome, upbeat, sunny people. But everything was mediated for them, nothing was ever experienced, and that was reflected in the sort of songs that they wrote. They were masters of the vicarious!” – Peter Milton Walsh, lead vocalist of The Apartments ; P. 87

#3: Regurgitator

“I do like things to be loud. I started out as a live mixer, and I always knew it was good when the bass drum was moving your shirt. You could feel the music as much as you could hear it.” – Lachlan Goold, multi-award winning music producer ; P. 277

#4: Powderfinger

“They were very normal guys, and normal guys are much harder to sell in the beginning, but once you break through it’s a blessing. No one cares what Bernard wears! If it worked – and it worked in a big way – Powderfinger was always going to be something that stuck in middle Australia.” – Paul Piticco, manager to Powderfinger ; P. 298

#5: Savage Garden

“I thought they were brilliant. I thought the discussions that we had together were some of the most honest and frank… that I’d ever had with a new artist. That was what got me, even more so than the music.” – John Woodruff, manager to Savage Garden ; P. 312

That one time when I flew all the way to Melbourne to watch Radiohead live.

November 27, 2012

Event: Radiohead live in concert
Date: November 17, 2012 (Saturday)
Venue: Rod Laver Arena, Melbourne, Australia

It’s no secret that I like my regular stints down to Singapore to catch a good act performing live. Travelling any further than that has been, thus far, mere wanderlust talk: to catch Summer Sonic in Japan, to revel in the famous Glastonbury in the UK, and to drink in Sigur Ros in Iceland.

Maybe I was getting tired of it just being Singapore. Maybe I wanted something different for a change. Maybe I wanted to do something ‘crazy’. So, when Radiohead announced their Australian shows back in February (a few months after hearing their show in Taipei sold out within minutes), I thought, why the hell not?

It was a chance to experience a different concert crowd in another country as well, and may I just say that I love the Australian concert crowd. Everyone was so well-behaved, it made the better part of Malaysian and Singaporean concert goers seem barbaric.

Everyone made the most of their money’s worth for a live show. They do not hold random chit chats with their friends when the performers were at it onstage, and there was not a sea of beaming smart phone screens in the air throughout the show. Occasional ones, perhaps, to snap a quick shot or so, but overall, everyone just reveled in the live concert experience, instead of busying themselves recording the show and missing it out live.

Everyone was really there to enjoy the concert and the music, and more importantly, they were all respectful to other concert goers, and don’t get in each other’s hair.

Weeks leading up to the concert, I came across the stage setting for Radiohead’s concert through glimpses of photos unintentionally, and for someone jakun like me, I was more than excited to see it all live. Besides the floor to ceiling LED back screen, they had about twelve LED flatscreens hung off the ceiling, suspended in midair like fallen shards of glasses magnified, frozen in time. For every song, these screens would change formations, either at random, or that would best suit the mood of the song, reflective against the band members: lead Thom Yorke, guitarists Colin and Jonny Greenwood and Ed O’Brien, and drummer Philip Selway.

Radiohead eased into this leg of their Kings of Limbs tour with Lotus Flower, something futuristically, psychedelically electronica, and throughout the set, peppered numbers from their latest album like Separator, Feral and Give Up The Ghost. There were also a fair share of beloved tracks from six of their preceding albums, save Pablo Honey, seemingly shying away on purpose from more commercially known songs like High and Dry, No Surprises, Karma Police, and yes, even Creep, prioritising more on the quality of a mindblowing live show, rather than a sing-a-long song fest.

Personally, the beginning of the set was rather monotonous, but as time passed, you could see a slow yet healthy ascension for the overall arch of the night. With sprouts of occasional climaxes from respective songs, like There There, You and Whose Army?, and Paranoid Android, the lights onstage went off with every musical eruption. Oh, you should have seen how everything combusted for Paranoid Android. Deafening sounds, blinding lights… it just eats into you.

Fans seemed to warm up towards the middle, and when they began to react more to the older and more lovable ones, everything just felt more alive in the arena. Not to mention, Yorke feeding off the crowd energy with his animated onstage persona, dancing along to his songs as if thousands of fans were not watching him, and cracking somewhat lame jokes with the locals every once in a while, it was rather entertaining.

Yorke too paced the night with a couple of slow ones like How to Disappear Completely and These are My Twisted Words. When the screens arranged themselves over Yorke, as the white light rained down on him like a God sent, and his words echoed through the speakers: “Strobe lights and blown speakers / Fireworks and hurricanes / I’m not here, this isn’t happening / I’m not here, I’m not here” – it did feel surreal for me at that point in time. Did I really go all the way to Australia just to see Radiohead? Is this really happening? Am I really here?

It wasn’t long till I was reassured. By the second encore, (why yes, there were two encores!), after toning down from Idioteque with equally soothing but musically distinct Give Up the Ghost and Reckoner, the night fell into this comfortable solace with Everything in Its Right Place. (Cheesy and a tad obvious, but well, still – right). The tousled synth beats, the repetitive haunts of “What was it you tried to say?”, tattooing its presence in your memory. All jumbled up at the wrong time, but coming together to a firm end that seemed appropriately right.

So yes, I did. I travelled all the way to Australia to catch Radiohead live, and their concert that was the last one of their Kings of Limbs tour, which they set out nine months ago. That’s quite special already in its own right, no?

It’s something that I would probably do again. Travel to a new country, and if timing permits, catch a concert there while I am at it. Make the trip all the more worthwhile, I would say. I am beginning to like being caught in the midst of a totally different concert culture, just to see what it is like – crowd wise and production wise. And to know that you are in a strange place where not everyone knows you, that you are akin to a wanted suspect blending into the crowd and living like Romans do. All that is left to entertain is just the music, which is really what it is all about at the end of the day.

His burgundy shoes

April 3, 2012

“The lecturer is nice. I only saw him twice in this entire course, but we communicated more via emails. He is quite a good fellow. I like him. Peculiar with his red leather boots, but nice.”

Ah, the red leather boots. I will never forget them. How they strutted into the lecture hall with Ian Dury & The Blockheads’ Sex and Drugs and Rock & Roll playing on repeat in the background. It was probably the coolest class I have ever attended during my two years of Uni at Queensland University of Technology.

I never really got to know Dr Steve Dillon though. I skipped a lot of his lectures. Not because he was a boring lecturer. I never went to enough of his classes to decide if he were a boring lecturer. Couldn’t have been too boring, what with his red boots and mandatory introduction song. But from what I got recorded in my old blog, he had been as much a helpful lecturer virtually. I just – let a lot of what could have been a good life pass me by during those two years in Uni.

Looking back now, I barely remember what went on during that semester. One of the few things I remember was my take-home exam. One question particularly. Well, not really what question it was, but what I answered. For some reason, it inspired me to write about one of Damien Rice’s songs from the Live From The Union Chapel album. Could be Amie. Best answer I ever penned down throughout my Uni days. In fact, that was the only subject I ever scored a High Distinction in. Bestest accomplishment at that point of my life.

I cannot say that I am there yet as a music writer. But at least, I have this blog, and a job that allows me unlimited access to do something music related.

So, I guess what I’m trying to say is that, Dr Dillon lent a hand in making me realise what I want to do for the rest of my life. Subconsciously. Indirectly. He provided a fun course in Uni to take up, and an interesting class that anyone could have easily latched on to, when music comes into play. For me, it was quite important back then. It made the three months of my two-year Uni life a bit more bearable, and made me confident again for choosing a course I thought might eventually just ruin my life.

It felt rather surreal when I saw an ex-tutor post up his RIP post for Dr Dillon on his status, right smack at a moment when I am going through something bad in my life. Lovesong by The Cure was on the radio when the news hit me yesterday evening. I did not know why it was important I remembered that.

Thank you, Dr Dillon. For whatever little help you have provided me five years ago, it has led me to where I am today. I believe you played a part, however small. I appreciate it, and I am grateful to have made your acquaintance. However short, however meagre. And I hope you know that somewhere out there, in that big sea of students you have came in contact with, you made this one realise a rather important dream that could have easily slipped away.

RIP Dr Steve Dillon. May you walk among the clouds with that kickass burgundy leather boots of yours.

Friday Five: 5 songs that remind Gabriel Lynch of home

March 16, 2012

5 songs that reminds Gabriel Lynch of home
by Gabriel Lynch

Every nomad has a home to go back to when he is weary of his travels. In the meantime, there are songs to remind him of home. While Australian singer/songwriter Gabriel Lynch makes his way through Asia to promote his debut studio album, Passerby Chorale, he recalls songs that remind him of his home down under, instead of writing songs that remind people of said places..

#1: Tie Me Kangaroo Down, Sport by Rolf Harris

“Have you heard of that? No? Don’t. It’s the worst. Rolf Harris is famous for playing the wobble board, a metal board that goes woob woob woob.”

#2: Belter by Powderfinger

“Best Australian band by a mile.”

#3: The Australian National Anthem

“Why, Of course. It has some of the best wordings ever. There’s a phrase in it: ‘Our home is girt by sea’. You’d never use the word ‘girt’ in any other kinds of context.”

#4: Khe Sanh by Cold Chisel

“It’s not that I don’t like doing cover songs, but people would request the worst covers in the world. If you’re in an Australian pub, you’ll be asked to play ‘American Pie’, even if it has nothing to do with Australia. But the yobos, those Australians who go to pubs and create trouble, they love it. And then, we have Cold Chisel.”

#5: The Cat Empire

“They’re really popular, and they play these amazing, feel good, party songs with some Latin influences. Before they were famous, they played at this small jazz pub, and it was packed up every Friday night for years. People would come and dance and drink and have a good time. By the time they got around to releasing their record, they have record labels surrounding them desperately, and they ended up getting the best record deal the country has ever seen!”

W: GabrielLynchBand.com
T: @glynchmusic

Spotlight Sunday: Angels and Airwaves, Melbourne, Australia

March 11, 2012

March 1, 2012
Soundwave Festival
The Forum, Melbourne, Australia
(via Anthony Smith / FasterLouder)

Spotlight Sunday: Laura Marling, Queensland, Australia

February 12, 2012

January 28, 2012
St Jerome’s Laneway Festival
Fortitude Valley, Queensland, Australia
(via Laneway Festival)

Spotlight Sunday: Coldplay, Byron Bay, Australia

August 7, 2011

July 31, 2011
Splendour in the Grass
Byron Bay, Queensland, Australia
(via Splendour in the Grass)

Spotlight Sunday: The Hives, Sydney, Australia

July 31, 2011

July 28, 2011
Splendour in the Grass 2011 sideshow
Enmore Theatre, Sydney, Australia
(via TheEnglishGentleman / FasterLouder)

Friday Five: 5 International Music Festivals to Aspire to

April 15, 2011

In a good, good world, we’d be jetted off to California this weekend for the Coachella Valley Music and Arts Festival, watching bands like Kings of Leon, Arcade Fire, Angus and Julia Stone, City and Colour, The Strokes, The National and thousand more acts performing live. Alas.

Here are 5 music festivals to aspire to, to someday, before we die, we can experience at least one of them, at least once in our lifetime.

#1: Big Day Out
When: End of January, early February
Where: Throughout Australia and New Zealand
How much: AUD155 (approx. RM479)
2011 Headliners: Tool, Rammstein, Iggy and The Stooges, M.I.A


My Own Summer by Deftones
Big Day Out 2011
W: BigDayOut.com
T: @BDO_Official

#2: Coachella Valley Music and Arts Festival
When: Mid-April
Where: California, United States
How much: USD269 for a 3-day pass (approx. RM820)
2011 Headliners: Kings of Leon, Arcade Fire, Kanye West, The Strokes


Time is Running Out by Muse
Coachella Festival 2010
W: Coachella.com
T: @Coachella

#3: Glastonbury Festival
When: End of June
Where: Pilton, Somerset, United Kingdom
How much: £195 for a 3-day pass (approx. RM956)
2011 Headliners: U2, Coldplay, Beyonce


Forced to Love by Broken Social Scene
Glastonbury Festival 2010
W: GlastonburyFestivals.co.uk
T: @GlastoFest

#4: Roskilde Festival
When: End of June, early July
Where: Roskilde, Denmark
How much: DKK1,725 for a 4-day pass (approx. RM970)
2011 Headliners: Iron Maiden, Kings of Leon, PJ Harvey


Brick by Boring Brick by Paramore
Roskilde Festival 2010
W: Roskilde-Festival.dk
T: @OrangeFeeling

#5: Summer Sonic Festival
When: Mid-August
Where: Tokyo and Osaka, Japan
How much: ¥22,500 for a 2-day pass (approx. RM839)
2011 Headliners: Red Hot Chilli Peppers, The Strokes


Boy Lilikoi by Jonsi
Summer Sonic Festival 2010
W: SumerSonic.com
T: @SummerSonic_OSK

Spotlight Sunday: MGMT, Sydney, Australia

March 27, 2011

April 7, 2010
The Metro Theatre, Sydney, Australia
(via Aaron Hobbs)