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The first time I saw Rollin’ Sixers live was during a small gig at Artista Bar & Restaurant in Tropicana City Mall. They were the last to perform out of the four-band line-up, and the crowd went bonkers the moment they stepped onstage. It was like welcoming a hometown glory.
Eddy Lim shredded away on his blues harmonica complementing his roughed up vocals, Khai Bahar and Henry Tan ran their swift fingers across the fret strings on their guitars chasing the blues, Jay Kughan depicted the most languid yet groovy bass that earned a kiss on his guitar headstock from an avid fan, and Ian Stewart banged away at the back with beats that had the entire crowd cheering for more.
Rollin’ Sixers just finished recording their first album, and their debut single, Hard Love, is already jamming up the radio airwaves nationwide. While they take their own sweet time in releasing singles off the album as teasers leading up to the album’s release later this year, I spent one laidback Sunday afternoon with them at their favourite pub, Sid’s in TTDI. As they wolfed down their late lunch, which is basically just pints and pints of Guinness, we talked about life as the Sixers, past, present and future.
All good stories start from the beginning, and their story started some seven years ago, when Khai was with another band, Y2K (yes, that unexpected masked band that opened for Paramore last year). He was on a roll laying down tracks, and had an idea to start a new band.
“I called up Jay, and asked if he knew any drummers we could recruit,” Khai says. “Eddy was enrolled, and hence, the birth of the original band – Triple 6 Posers, a three piece with me on vocals.”
Everything went on fine and dandy for Triple 6 Posers until one day, Jay and Khai heard Eddy burning up the microphone with Stone Temple Pilot’s Plush at a talent competition.
“When we heard him sing, and we were like, ‘Why is he behind the drums? Bring him up front!’” Khai says.
Their rigid search for a replacement drummer thereafter opened doors to Ian, whom they knew through mutual friends. The final recruitment was no rocket science. Henry was previously in a band called Mojo Pin with Eddy, and he has been playing on and off with the gang all along. It was only natural for him to hop on this bandwagon.
“By then, it wasn’t Triple 6 Posers anymore. It was a whole new band with a different sound,” Eddy says, in regards to naming the band what it is now. “Back when we were called Triple 6 Posers, people were calling us Sixers anyway, so we just added in the ‘Rollin’’.”
Things started off quite rock ‘n’ roll for these boys – or men, seeping influences from old timers like AC/DC, Muddy Waters, Jimi Hendrix, Eric Clapton and Robert Johnson. It wasn’t a conscious decision to get into blues music, but rather a natural progression.
“It’s like the older we get, the more we have the blues,” Eddy laughs.
“The thing with the blues is that it’s very personal,” Khai says. “When you play a Clapton song, and if you play it from the heart, it’s not going to sound like Clapton. The same way when Clapton covered Robert Johnson’s Crossroads, he doesn’t sound like Robert Johnson.”

As Triple 6 Posers and Rollin’ Sixers, the gang has been in the local music scene for about seven years. That’s enough time to see the industry flip, turn and change overtime.
“The music scene here is good and it’s healthy, and the bands are great,” Eddy says. “But the biggest problem is that we don’t have enough venues. With more venues, these bands can go around and play more shows.”
“The sad fact of the matter is, not a lot of venues last more than a couple of years,” Khai adds. “When you get comfortable with a place, there’s no guarantee that it’s going to be around.”
When asked about their favourite gig spot of all time, their unanimous agreement is Jam Asia, a defunct gigging joint once located at Plaza Crystalville in Sri Hartamas.
“Jam Asia was the only place that charged RM5 for tequila shots every time Rollin’ Sixers play!” Eddy recalls.
“In fact, one of our best gigs was Khai’s birthday at Jam Asia,” Jay says. “We got together with a couple of other bands, who are friends and just went crazy.”
“I only remember half of it though!” Khai jumps in.
“And then they closed down about a week later,” Henry jokes.
Another one of their best gigs that brings back fond memories was a music series Laundry Bar at The Curve used to host on every first Thursday of the month called Juke Joint Jupiter.
“At the very first instalment, we played with The Blues Gang and Ahmad Izam Mohammad,” Eddy says. “It was packed to the brim, and I think Laundry made about RM100k that night!”
Does it feel pressuring though, to play in front of a crowd that may or may not be into blues music?
“If it’s the masses, not so much,” Eddy says. “But when we play in front of the old cats, like The Blues Gang guys, definitely!”
“When we’re meeting our peers, we can’t make stuff up anymore, because these guys know how it’s done!” Khai adds.
Despite RM5 tequila shots and packed venues, dirty blues is quite an unusual genre to get into, especially in this era when rock, pop, hip hop and even dubstep music is growing rampant. Moreover, in the Malaysian music scene, where bands are already struggling as it is, it seems to be a double whammy for Rollin’ Sixers. Or is it?
“Not really. You just have to find the scene for blues music,” Eddy says. “It’s niche and small here, but it’s been really supportive.”
“Besides, a lot of rock music in general, is influenced by the blues,” Khai says. “Everybody can dig the blues. Whenever you listen to it, you’d know it.”
“I guess it’s because we’ve been playing for 7 years, it doesn’t really bother us anymore,” Eddy adds. “We just see it as another opportunity to jam.”
Another round of Guinness was called, and the energy was as lively as the first pint. It felt more like a hangout session, instead of just another mundane interview. And it makes me wonder: a 7-year relationship is already hard enough to maintain, let alone a band. How does Rollin’ Sixers keep it up after all these years?
“Drink together!” Eddy laughs.
“To me, we have to be more than band members to keep the band’s chemistry alive. If not, it’ll eventually become like a job,” Khai says. “It works for some people, that’s great, but personally, I like the fact that we’re buddies too.”
“For a lot of us, music is our release,” Jay adds. “We play music to keep the shit out of our heads. It’s something we look forward to.”
“I think being in this band is one of the greatest blessings in life,” Eddy says, in which his band mates agree in unison, before they raise their pints of Guinness and clinks for a cheer.
W: MySpace.com/RollinSixers
T: @666ers




















